As I kept reading, and my patience grew thin, all signs began to point towards what I had predicted.
We both paused and stared at the screen in time for a bomb to burst, engulfing everything in white.
She says, “I have to. This is, like, my last chance, you know?”
Being two halves of different things can often make you feel less of a whole.
What better way to spend Pride than with a queer rebel princess who fights to be seen!
One Last Stop is a heartwarming story of found-family chock full of eccentric, colorful characters that jump off the page.
The Difficult Transition to Self-Acceptance: Review of We Were Promised Spotlights by Lindsay Sproul
This book does more harm than good in the negative stereotypes it perpetuates.
No one wants to hear about this ugliness. But everyone loves a well-told story.
Nearly every story in the collection is captivating in its constant motion and minute detail.
After reading this story, readers may wonder whether a love potion is worth the trouble and risk.
She has no idea that the rest of her life will be spent rescuing Chinese girls and women.
The MCU has had a less than stellar track record when it comes to racial diversity.
It seems that our brave little robot is actually part of a much larger political-ecological revolution.
Fanfiction, and literature on the internet in general, raises new sorts of questions about the pitfalls and possibilities of archiving. How do you save not just an artifact, but all the software and hardware that is needed to run it?
This Spring, the editorial team at the Berkeley Fiction Review wanted to highlight a selection of upcoming releases that we are especially looking forward to reading and viewing. These selections mean something special to each individual editor, so we hope this list inspires an interest in these works!
A comfort book is just as the name suggests: a personally significant piece of literature, typically fiction, that brings a person solace and allows for an escape from reality.
Even so, I was disappointed to find that Mismatched had taken a narrative by an Indian-American author about Indian-American characters, with a unique premise about growing up American yet being submersed in Indian culture, and had set it entirely in India.
Mike Flanagan’s The Haunting of Bly Manor, the anthology series follow-up to the popular The Haunting of Hill House, may have all the makings for a classic ghost story, but don’t be mistaken—it’s actually a love story.
Gradually, he grew accustomed to his alternate form, to the point that he could forget about it for hours at a time.
How time had passed and made fools out of us.
But one is a writer, and one is a hero, because it is the only thing they could possibly be.
The worst were the blow-its. A blow-it was unpredictable. Anything could happen.
In the first half of 1981, it was just a few who died.
She knew how to read a newspaper article when she was five; now she cannot tell Chinese from hieroglyphics.
As I walked home, I felt it—little wings against my lungs.
Two houses, virtually identical in structure and appearance. Odd, right?
At night he could hear her rustling the curtain. He would whisper his questions to her.
Something about flash fiction and short fiction is just so ripe with experimentation and with breaking boundaries and for kind of completely turning on its head what a story can look like.
A Flash of Lightning and Heartbreak: Interview with Ashley Hutson, Sudden Fiction Guest Judge & Author of One’s Company
I feel like when you write flash, you’re giving something to the reader, like an electric shock.
A Case for “the surreal and the strange”: Interview with Anna Vangala Jones, Sudden Fiction Guest Judge and Author of Turmeric & Sugar
When I picture a flash fiction story done well, a story that’s getting so much across in this tiny space, I imagine a little snow globe or something that’s bursting with how much is going on inside it.
A few weeks ago, I sat down (virtually) with short story writer Jen Fawkes to discuss her debut story collection, Mannequin and Wife: Stories. We talked about the origin of her writing career, the ocean, and her goal of capturing the spectacular mundanity of everyday life through fiction.
Read the transcript of our release party for Berkeley Fiction Review Issue 40, which took place on April 30th via Zoom!
“Spent” came like this—from a feeling, the remorse of only having one life to spend. Even if we hold love in armfuls—real love, true love, good love—there will always be a life you can’t be living, a timeline you’ve left behind.
Growing up as a disabled child, I learned to live in a world that was my own.
Berlin’s writing captured a sort of reckless joy I recalled from my time in Paris: living on that rugged edge between foolish risk-taking and worthwhile adventure.
Across this textured face, I count all the bleeding and irritated spots, hooking onto them with my eyes and making sure that each and every unwanted citizen of a pimple on the once-clear expanse of my face is ingrained in my mind.
The Unseen World grapples with this abstract notion: if memories are the fundamental building blocks to a coherent identity, when one loses these memories or memories are distorted —who does this person become? Who are they in relation to you?
“I….have been able to use reading as both a reprieve from reality, as well as an educational tool to become a more productive version of my isolated self.”
Step 1: Once you are roused from slumber by thoughts of the monumental task at hand, brew some coffee. If you don’t drink coffee, thoughtfully bob a bag of tea into a cup of microwaved water. Optional: Add alcohol to taste.
Berkeley Fiction Review
c/o ASUC Student Union FMO
432 Eshleman, MC 4500
Berkeley, CA 94720
General / Submissions: