For the first time in our journal's history, we are now able to pay all creatives featured in our journal.
I stood up and scanned all the items in the house. Everything looked like she had been living there until just a moment ago. I had to sit down on the chair for a few minutes.
If you’re fortunate enough to have been one of my victims over the past few months, you’ll already be aware that I’ve been occupying my time with an incessant rampage of recommending All My Puny Sorrows by Miriam Toews to anything with eyeballs and a pulse. Every now and then, I’ll read a book so … Continue reading On McSweeney’s Publishing, The Genius of Miriam Toews and Jonathan Plombon, and The Use of Humor as a Gateway into Difficult Subject Matter
Months before I opened Jonathan Franzen’s The Corrections (2001), I admired Lynn Buckley’s cover design. On the lower third of the cover – beneath the author’s name in bold, white caps and the title’s textured, orange lettering – a Rockwell inspired scene depicts two boys and the lower half of a woman, whose red nailed … Continue reading The Importance of Art in Literature, in Review
The following two pieces are part of a four-piece series titled Of the Places We’ll Go. Death, Then Life, Arami Matevosyan You never claimed residency on earth. Somehow the idea of mortality was never enough—you wanted to live through the fruits of the next couple centuries, and this notion of life and death did not … Continue reading Art: Of the Places We’ll Go
Who is the artist behind this piece? Is the individual male or female? What ethnicity? If we were to imagine that individual’s story, what might it be? How would their tale unfold? Regardless of the artist you’ve envisioned, it’s important to consider how our conception of an artist comes into formation. If I told you … Continue reading The Faceless Artist