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The Lady Feels (Sh)a Lot
I felt overwhelmed by the way the Lady of Shalott and other women like her have…
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Text and Images: Interview of Charlotte Bunney, artist for Issue 41 story “Pillow Practice”
The difficult thing with illustrating is trying to find an image that complements the piece without…
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Pillow Practice
Promise me you won’t write a poem about me.
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Making Wordplay Visual: Interview with Amy-Grace Ratanapratum, Artist of Issue 41 Piece “Mindless Eye”
I did feel like I was sort of peering into their brain and trying to pluck…
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Working with Waves and Watercolors: Interview with Mikaela Kristianous, Artist of Issue 41 Piece Regarding the Sea
I definitely take inspiration from the skies, like I mentioned, flowers, even food: strawberries, raspberries, those…
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Artists & Writers Now Paid in Future Issues
For the first time in our journal’s history, we are now able to pay all creatives…
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The Glue
I stood up and scanned all the items in the house. Everything looked like she had…
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On McSweeney’s Publishing, The Genius of Miriam Toews and Jonathan Plombon, and The Use of Humor as a Gateway into Difficult Subject Matter
If you’re fortunate enough to have been one of my victims over the past few months,…
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The Importance of Art in Literature, in Review
Months before I opened Jonathan Franzen’s The Corrections (2001), I admired Lynn Buckley’s cover design. On…
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Art: Of the Places We’ll Go
The following two pieces are part of a four-piece series titled Of the Places We’ll Go.…
