Berkeley Fiction Review
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  • Writing for Non-Writers: or How to Free-Write Free Will

    Writing for Non-Writers: or How to Free-Write Free Will

    There is a common misconception that a writer is a particular sort of person. That being…

  • All We Need is a Writer Who Writes

    All We Need is a Writer Who Writes

    There are points in a writer’s life when the creative juices are not flowing. The juices…

  • The Written Advantage

    The Written Advantage

    Why even bother? That’s a question perhaps worth asking of the written word. We have movies,…

  • The Faceless Artist

    The Faceless Artist

    Who is the artist behind this piece? Is the individual male or female? What ethnicity? If…

  • Ego-Less Writing

    Ego-Less Writing

    A writer, above all other professionals, ought to be self-aware. Nothing is more detestable than writing…

  • What Bathos Can Do for Your Short Fiction

    What Bathos Can Do for Your Short Fiction

    We all know the drill: exposition, rising action, climax, falling action. This is the formula for…

  • Lessons on the Power of Concision from Yasunari Kawabata

    Lessons on the Power of Concision from Yasunari Kawabata

    In judging this year’s flash fiction contest entries, I couldn’t help but be reminded of Yasunari…

  • How to Pretend to Have Read Books Without Really Trying

    How to Pretend to Have Read Books Without Really Trying

    Like most college students—and like all who wear lens-less glasses—I entered freshmen year entirely assured I…

  • On Reading What You Want To and What You Don’t

    On Reading What You Want To and What You Don’t

    I often find myself wondering why I’ve come to enjoy the things that I do. The…

  • Essay: Are you there, “The New Yorker”? It’s me, every hopeful college writer.

    Essay: Are you there, “The New Yorker”? It’s me, every hopeful college writer.

    College writers are desperate creatures, yearning for attention and audience. Hungry for praise, popularity, and even…

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