Martha Wells’s bestselling Murderbot series has been lauded for its aromantic and asexual representation, but coming off that series, she struggles to depict queer relationships that are romantic (and, presumably, sexual).
Martha Wells’s bestselling Murderbot series has been lauded for its aromantic and asexual representation, but coming off that series, she struggles to depict queer relationships that are romantic (and, presumably, sexual).
BERKELEY FICTION REVIEW 