Dripping in the color, she was sci-fi sanctified, alien and clean.
Remainder
After our first week, I begin to lose things during the walks along the creek.
Echoed Traumas and The Inheritance of a Nation: Interview with Conrad Loyer, author of Issue 41 story “Haunted Home”
This explanation of my relationship with racial memory and inherited trauma, I think, started coming in.
Haunted Home
The ship features a recreation of a slave ship's hold. The cruise prides itself on it. It is not a good recreation, if the metric is realism.
Text and Images: Interview of Charlotte Bunney, artist for Issue 41 story “Pillow Practice”
The difficult thing with illustrating is trying to find an image that complements the piece without giving it away.
A Love Letter to Poetry: Interview with Annie Williams, author of Issue 41 story “Pillow Practice”
This character, she treats dating and writing very similarly.
Pillow Practice
Promise me you won’t write a poem about me.
Making Wordplay Visual: Interview with Amy-Grace Ratanapratum, Artist of Issue 41 Piece “Mindless Eye”
I did feel like I was sort of peering into their brain and trying to pluck out what they thought was the most important part.
Character Analysis and Organic Writing: Interview of Kimberly Liu, Author of Issue 41 Story “I, Iris”
I think in the literature that I've read, sight as a bit of a metaphor for knowledge, for awareness, and for identity, is pretty well suffused and embedded into this collective recognition.
I, Iris
I am Iris, I thought. Iris is me, and Iris is in the wrong lane.
BERKELEY FICTION REVIEW 