The Idiot initially reads somewhat as a hybrid between fiction and memoir—not necessarily because of how much it takes from Batuman’s real life, but because of how much it embraces the existence of art and literature outside of the novel at all.
The Idiot initially reads somewhat as a hybrid between fiction and memoir—not necessarily because of how much it takes from Batuman’s real life, but because of how much it embraces the existence of art and literature outside of the novel at all.
BERKELEY FICTION REVIEW 